ART IS BURNING

27.05—09.07.2022

Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”
Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”
Liliane Vertessen - ART IS BURNING - Installation view at TICK TACK
Liliane Vertessen - Bed - 1992
Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”
Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”
Liliane Vertessen - Dare - 1980
Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”
Liliane Vertessen - Moving Doll II, 134 x 94 cm, photo print
Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”
Liliane Vertessen - ART IS BURNING - Installation view at TICK TACK
Liliane Vertessen - ART IS BURNING - Installation view at TICK TACK
Liliane Vertessen - ART IS BURNING - Installation view at TICK TACK
Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”
Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”
Liliane Vertessen - ART IS BURNING - Installation view at TICK TACK
Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”
Liliane Vertessen - ART IS BURNING - Installation view at TICK TACK
Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”
Liliane Vertessen - ART IS BURNING - Installation view at TICK TACK
Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”
Liliane Vertessen - DARE - 1980 - Photo print, Neon, Transfo - 88×63 cm - Installation view at TICK TACK
Liliane Vertessen - ART IS BURNING, A Retrospective - 2022 - Archival footage (1970-2022) - 10’30” Sound: Winchell’s Donuts - 2007 - Liliane Vertessen (Harp), Jean van der Plas (Fretless guitar) - 10’30”

Exhibition text

The work of Liliane Vertessen, now spanning over 5 decades, consists of analogue photography assembled into neon installations and sculptures. Vertessen creates erotic mise-en-scenes in which she depicts various female stereotypes, balancing between exhibitionism and kitsch-like make-belief. Her own body forms the central figure in erotic self-portraits that both celebrate and question its subject matter. 

Liliane Vertessen (1952, Leopoldsburg) lives and works in Heusden Zolder. Past exhibitions include Museum Dhondt-Dhaenens, Deurle (1983); PCBK, Hasselt (duo show with Cindy Sherman, 1987); S.M.A.K., Ghent (1989); Museum Fridericianum, Kassel (1989); M HKA, Antwerp (1992) and Mu.ZEE, Ostend (1996), Musée de la Fotographie, Charleroi (2018)

At TICK TACK, Vertessen will debut new in-situ works in dialogue with older unseen works.
For CINEMA TICK TACK Vertessen will screen a new retrospective moving image work, showcasing a selection of images from her vast archive from 1970 to the present.

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